‘Alter Ego’ finally hits the small screen

The interesting thing for the technically minded was that no tapes were used, everything either went to hard drive or flash card, The High Definition camera which was used had two large flash cards in which it recorded about 20 minutes of footage which was then dumped to a laptop with a 1TB hard drive hanging off of it.

My house was an absolute mess, well I live alone, so if my house gets a bit messy, it doesn’t matter. So I cleaned up like mad and threw any excess stuff into the spare room and closed the door. What I didn’t realise was they’d bring a truck load of stuff, lighting and cables which had to go somewhere and ended up in the spare room too.

I hadn’t cleaned my bedroom or the bathroom either, so guess where they wanted to film, good grief. Oh yes, and the garden, which had been horribly neglected.

I used to be a keen gardener, but my parents were living with me then so we all had our own jobs to do, but now I live alone I find I have very little time for everything, and as everyone knows, I spend a long time each day on the computer. I’m thankful for Katie, my dog, who insists on about three daily walks or I wouldn’t get out quite as often.

My advice to anyone who might find themselves doing a doco, clean clean clean, inside and out. Although the funny thing was that all the scenes showing my house were mostly cut out. Marko, who was in the kitchen, cooking… in his rat suit, as you can see on Youtube. I watched the tape back and saw a kitchen which hadn’t been that clean for years. I have been trying to maintain that ever since.

Marko really wishes he could do a sort of kids cooking show, and I think it’d be great to see him do this, though how he manages to do anything much in that suit, I don’t know.

In another scene which didn’t make it (you can view it on YouTube here), Marko and I went to the local deli. I loved that, it was a really funny experience. Marko got into his rat suit “Rattus”, and then we all walked out into the street, Marko as Rattus, Shelley, Bart (The sound guy), Zach (our Cameraman) and myself… and got into Shelley’s not so roomy car, with Marko in the front passenger seat. If he’d been driving, that would have looked even funnier. Shelley drove, and us three guys were cramped up in the back with all the equipment. We got to the deli about five minutes later and all piled out, then Marko and I went to the deli and went through a routine where we’d buy cheese (of course) and other items which we’d take home and eat while talking about furries and so on later that night. Marko would point at various cheeses and I’d buy them, he asked me to get blue vein, and the strange thing was he didn’t actually like it, I asked him why he wanted it, and he said Rattus wanted it, not him. How do you respond to that logic?

Marko thought Bart looked cute, but he doesn’t want anyone to know so you’d better leave this bit out. 😉 There’s a nice scene in the deli of Rattus being stroked by Bart, but then Shelley hugged him and I was walking around the shops holding Rattus’ hand. I remember something about a woman gently telling Rattus to behave and be a good boy, and Rattus nodding. There was something really warm about that, a shame we didn’t get that on tape, it was beautiful.

Rattus also went into the Bakers Delight a few doors down from the deli, and hugged all the girls who were working there, it’s interesting to see the effect of a fursuit on people, many don’t look, they feel shy or embarrassed, but others love it, and I’m talking about grown people, kids are generally really keen on the idea, but the adults who have this wonderful positive response to it, it’s a lovely thing to see.

Last year I had no heater, and we were filming during winter. The house was frozen, and the doors were usually wide open because the crew kept coming in and going out a lot. So I was usually in a beanie and coat, and shelley whipped my beanie off before each scene which explains the wayward hair 🙂

Shelley picked Katie and I up to film a scene in the forest, she lives up near where Puffing Billy is and drove all the way to Footscray to pick us up. We got to her home, and what amazed me was her driveway is almost vertical, the steepest driveway I’ve ever seen… anyway, Katie and I went to this place in the forest which Shelley thought looked like a European pine forest. Well we were planning the shot when Katie stuck her nose into the dead pine needles and pulled out this hideous lump of meaty something. I know that baits are used up there so I feared the worst, even if it wasn’t a “proper” bait, it could have been left by one of those nuts who hate dogs and want to poison them, so we raced to the vet with Katie, and she was looked at and was fine, but she’d scared all of us. Jamie who composed the music for the doco was driving and we were almost hit by another car on the way, and Shelleys little boy was hot and upset. So we didn’t end up with any film at all that day which was a real shame.

The forest scene was difficult, I don’t have the fastest connection, and that sim lagged like mad. I couldn’t walk anywhere, and Shelley had to TP me to her most of the time. It’s a wonder she got the footage that she did. The video of me howling was added to the scene digitally later on.

It was suggested that we talk about sex, which I think was appropriate, but I suggested that if we must show genitalia that we show the furry stuff, because there have been other docos where human ones were mentioned, so perhaps we should try this to be different. But the funny thing was that because we had to compress things down and have one thing lead neatly into another, the film kind of gave the impression that I hang out at furry penis vendors, hoping to meet newbies and take them to strange parties in the forest, which was supposedly my Rezday.

It was a bit of a shame that I couldn’t show the kind of rezday I would normally have, a party with friends at the Kookaburra pub, with friends like Kath and Ryu, Simon, Gumby, Vermus, Quadrapop and Lowell, of course… and the performers we usually have, like Komuso and Jaggpro, but it was thought that the forest would be more visually pleasing, which it is.

We wanted a lot more people in the shots but those who we were after were usually offline when Shelley was filming, which we found really frustrating.

I didn’t like the last scene in the doco, I think what I said should have been edited better than that, and I told Shelley. I don’t know if the version which goes to air will still be the same, but I hope they can change it. While trying to explain how I felt, I found myself flip-flopping with ideas which sounded really weird and confusing, but the visuals on that final scene are really beautiful. so just absorb the music and visuals and mentally filter my voice out, please!

What I did was just kind of waffle on about ideas that popped into my head, knowing they’d be edited later, or hoping may have been a better word. I don’t think I do a good job explaining myself when there’s a mic or camera in front of me, I feel that if I can sit and write, then I am more likely to get the idea across much better… but I gave it a go.

I thought they did a really good job on the Second Life visuals, they were almost as good as what we saw in the CSI episode earlier in the year.

One of my favourite scenes in the doco is the one where Alf was laying down with his keyboard on his lap and his LCD screen hanging from an angle, He’d drilled a hole in it and tied a bit of string through it, unbelievable!

Marko is my very dear friend, who I met online around 1996 I think, and we’ve been the best of friends ever since. And he’s been here for me whenever anything bad happened, he’d come to see me, and I’m very very grateful for that, we’re soulmates, I’m sure. We met on a group he’d set up called Ozfurry, which is still around but Marko has gone onto other things.

Marko would like to do a serious doco on the furry culture, and I think he’d be the perfect one for it. He knows a lot about the scene, the people and has travelled to the US a number of times to see friends and visit furcons.

Shelley, our director, is this wonderful, very good looking, intelligent woman, who aims to produce more docos in future, under her own steam. She’s studying more about film production at Swinbourne uni at the moment. She told me that she doesn’t want to be in front of the camera, she mostly wants the people in her films to tell their own story, which I think is fine, but I’m trying to pursuade her to go out the front and be in the film too, I think she’d so a fine job of it.